“My mission was to go back to school, study architecture very quickly, and then return to Burkina. That was my main concern.” – Francis Kéré embarked on a mission to redefine architecture by infusing sustainability and unity into his designs.
For almost two years, Francis Kéré has been associated with a special award that placed him among the most outstanding architects globally: the Pritzker Prize. Established in 1979 by the Pritzker family of Chicago, the prize honors architects who have made significant contributions to humanity through their work. Awarded annually, it celebrates architectural excellence and innovation worldwide.
Diébédo Francis Kéré, the 2022 Pritzker Prize winner, demonstrated his architectural prowess while still a student in Berlin. His project of the Gando School in his hometown of Burkina Faso exemplifies his commitment to innovation. Constructed using locally-sourced materials and a unique roofing system, the school maximizes natural ventilation and light. The design incorporates shaded outdoor spaces for learning and gathering, reflecting the region’s climate and cultural practices. Kéré’s involvement for the local community empowered them and fostered a sense of ownership over the project, making the Gando School a symbol of architectural innovation and social impact.
Another notable project, the Lycée Schorge Secondary School, showcases Kéré’s blend of cultural traditions and modern technologies. One notable feature is the incorporation of protection against dust and strong winds in the courtyards, which is essential for the local environment. This feature, blending cultural practices with contemporary solutions, ensures a comfortable and conducive learning environment for students and faculty. The school’s design is organized into nine modules, each serving a specific function while contributing to the overall functionality and aesthetic coherence of the campus. Thus, the Lycee Schorge Secondary School project stands as a testament to Kéré’s commitment to architectural innovation grounded in local context and community needs.
Among Kéré’s fascinating projects is the National Park of Mali, promoting ecotourism and environmental awareness while preserving the country’s natural heritage. The construction of the park involved collaboration with local communities, who contributed their expertise and knowledge of the land. Local, rooted based building methods were employed to create structures that not only blend aesthetically with the environment but also withstand the region’s climatic conditions. From earthy tones to organic shapes, the architecture of the National Park of Mali is a testament to Kéré’s commitment to sustainability and his respect for local culture and traditions.
The Colorscape, different from other realizations, is an interactive installation featuring colorful, perforated metal panels arranged in a circular formation. Each panel represents a different hue, filtering light to create dynamic patterns and shadows within the space. Placed in the Philadelphia Museum of Art, this installation only seems to be complicated. The detailing was designed so that it could be built by individuals without any construction experience, almost like Lego blocks, because even children participated in the creation of this installation. The Pritzker Prize jury described ideally the concept of the architect:
“He knows, from within, that architecture is not about the object but the objective, not the product, but the process.”
Designed to celebrate diversity and cultural exchange, the installation invites visitors to explore the interplay of light and color while reflecting on the richness of human experiences.
At Coachella 2019, Kéré’s installation drew inspiration from West African baobab trees, symbolizing strength and community. This world-renowned music and arts festival is held annually in the California desert, attracting diverse audiences and top-tier musical acts across various genres. Known for its vibrant atmosphere, eclectic fashion, and immersive experiences, Coachella has become a cultural phenomenon, embodying the spirit of creativity, community, and celebration.
Namely, the architect had the task of creating an idea of celebrating diversity, unity, and community engagement. The concept of Francis Kéré’s installation at Coachella 2019 drew inspiration from the majestic baobab trees, known for their medical and nutritional uses, particularly in West Africa. Kéré created 12 baobab towers within the installation, symbolizing strength, resilience, and community. The vibrant colors of sunsets and sunrises in Indio were reflected in the design, infusing the space with warmth and energy. The name Sarbale ke, derived from the Bissa language, encapsulated the spirit of celebration and togetherness, inviting attendees to experience the richness of West African culture amidst the desert landscape of Coachella. As the architect summarized:
“You saw lovers hanging in one corner, a group of friends connecting in another, so there was the idea of a meeting point or reference point. So they did have practical uses as well as the more aesthetic, celebratory value. It’s a sculpture, but it’s also architecture: it is animating, stimulating, yes, but also inviting.”
Francis Kéré’s architecture is described in many words: sustainable, adaptive, elegant, light-filled, expressive, and contextual. As the 51st laureate of the Pritzker Prize, he prioritizes the well-being and experience of people, fostering a sense of belonging, connection, and joy through his designs.
“This is why I decided to study architecture, to bring stability and harmony where there was none.” – Diébédo Francis Kéré
In addition to his architectural innovations, Francis Kéré is renowned for his warmth, kindness, and sense of humor, which shine through in his speeches and interactions with people, fostering a sense of connection and camaraderie within communities he engages with. This architect creates with people and for people.
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